|
A key part of delivering humor in a speech, or even in standup, is to sell the setup. By 'Selling', I mean the process in which the speaker accomplish the following objectives:
1. Provide the necessary background information
2. Mislead the audience into one direction
3. Hide any traces of impending punchline
A big component of a humorous story is the surprise ending of the punchline. A secondary component is the logic of the punchline. It has to make sense, although not in the way that the audience intended. Any missing information, the audience will say, 'what? I don't get it'. And if the audience can guess the ending, then the reaction is "Oh, I saw that coming a hundred miles away."
This article will provide a case study to illustrate this idea. It is from the speech "Youthful Mistake". You must watch the video first (click on read more), and then read the comments in the text for analysis of the final part in the conclusion.
|
|
|
Thoughts about Cross-Cultural Humor |
|
In my still-brief career in Toastmasters, I have received feedback from members from my club, and other clubs, that the one area they want to strengthen in their public speaking skills is the use of humor. From my experience, I have observed that many members have a common struggle of using humor to make a point, or even just to grab the audience’s attention. Since I have never attended any TM meetings outside China, I have no basis for a valid comparison. However, I felt that in many ways, the sense of humor differs between Chinese and Americans; And for the purpose of the article, whether and when humor is deemed appropriate can also differ between the two cultures. However, I would like to point out some ways in which humor can be used in our speeches that can be valid and appropriate, regardless of culture, or subject.
|
|
Humor reflection Jan20 speech |
|
At the CHIC Toastmasters meetiing, Jan 20, I delivered the speech, “Youthful Mistake” for the Entertaining Speaker Advanced Manual, project #1 (The Entertaining Speech).
For this speech, I wanted to attempt two distinct types of entertainment value: action oriented humor, and quiet subtle humor. And not surprisingly, I received mixed reaction accordingly. I also consciously worked on the pace of my speech: slowing it down to emphasize enunciations, pauses, and vocal variety. This has always been my weakness, and required special attention to be on par with a professional speaker. For this article, I will throw out some examples of what I thought worked well to enhance the humor, why it made the audience laugh, and vice versa. There are 3 lessons I learned: The value of 'Action' humor, the setup of 'understatement humor', and the delivery of subtle humor.
|
|
|
Surprise and Exaggeration: Joke Analysis Jan13-10 |
|
Shortcut to Humor in Your Speech: Surprise and Exaggeration
I think one of the first things a novice humorist can work on is to construct surprise peppered with exaggeration in their punch lines. In my last humor training, I pointed out that these two elements are fundamental to creating a humorous situation. In order to produce the surprising exaggeration, the humorist needs to be creative about the setup, in order to lead the reader or audience in one direction, and then POW!: provide a surprising twist that at first seem unrelated, but then the connection is made. This creates the laughter. Larger the “disconnect”, larger the laughter, as long as the audience is able to make the connection.
In this article, I will use a couple of I of examples from the last Toastmasters meeting to illustrate the point.
|
|
"Weight Problem": Why jokes didn't work |
|
By Hubert Lin
I delivered my Humorous Speaking #5 speech on Dec17 at the CCTMC club. As wrote in the the CC Chatter article 'Good Jokes are Re-Written', I think it is good practice to go back and reflect on why some jokes did not work. This article is the first that describes my reflections
|
|
|
<< Start < Prev 1 2 Next > End >>
|
|
Page 2 of 2 |